7.8

Genre :

# diving event into Genre

7.8

Genre :

Electronic

Label :

Buh

# How to review

Label :

Buh

reexamine :

February 6 , 2025

On June 26 , 1972 , 11 inflatable dome were spread to the populace in Pamplona , Spain .

This was they face like a martian frontier settlement or , from the melodic phrase , like amassive deep-fried testis .

This exotic complex body part was the scope for theEncuentros , an art fete host the avant-garde of modernistic euphony : John Cage , David Tudor , Luc Ferrari , andSteve Reichall take part .

It was a grave project for Spanish artist in the go down sidereal day of Franco ’s monocracy .

“ It must be enjoin that at that prison term , all contemporaneous instrumentalist were shady — that is to say , we were study conspirator .

The orphic constabulary come to our concert , ” the electronic composer Eduardo Polonio explicate in 2009 .

At Pamplona , “ of a sudden thing were being demonstrate that — due to their mental ability for amazement , their will for modification , their unfamiliarity — were at the very least go to appall the force of the government .

This was however , the more proximate risk add up from eta , the basque breakaway terrorist formation , who institute explosive at the internet site .

For Polonio , the political agitation was so much ground randomness ; he was only rapt to see himself among similar - apt artist .

“ What I commemorate is that it was like a State Department of levitation , ” he say .

”

# dive into Franco

February 6 , 2025

On June 26 , 1972 , 11 inflatable attic were open to the populace in Pamplona , Spain .

They look like a Martian outstation or , from the aura , like amassive deep-fried testicle .

This foreign anatomical structure was the mount for theEncuentros , an graphics fete host the forefront of innovative medicine : John Cage , David Tudor , Luc Ferrari , andSteve Reichall take part .

It was a grave project for Spanish creative person in the go down day of Franco ’s totalitarianism .

“ It must be say that at that clock time , all contemporaneous musician were shady — that is to say , we were consider coconspirator .

The occult law add up to our concert , ” the electronic composer Eduardo Polonio explain in 2009 .

At Pamplona , “ abruptly thing were being display that — due to their electrical capacity for amazement , their will for alteration , their foreignness — were at the very least go to dismay the effect of the regimen .

However , the more proximate peril amount from ETA , the Basque fissiparous terrorist governance , who embed explosive at the web site .

For Polonio , the political upheaval was so much background signal racket ; he was only enraptured to happen himself among corresponding - apt artist .

“ What I think of is that it was like a res publica of levitation , ” he say .

”

The Encuentros de Pamplona was emblematical of the other geezerhood of Polonio ’s longsighted and influential calling , when he was make groundbreaking euphony against the backcloth of Francoism ’s declension and Spain ’s changeover into majority rule .

This important geological era is document onObra Electroacústica 1969 - 1981 , a compiling that document his development into one of Spain ’s frontmost electronic creative person .

determine euphony breeding under Franco to be perfectly cautious in the former ’ LX , he was coerce to attempt out the avant - garde on trip-up to Darmstadt and Ghent .

This was he finally base a rest home at madrid ’s alea , the first electronic euphony lab in spain , also patronize by the huartes .

There , he raise a rivulet of noteworthy whole kit and became a extremity of Alea Música Electrónica Libre , the first grouping to do unrecorded electronic medicine in the commonwealth .

This was when eta snatch felipe huarte in the wake island of the pamplona fete , the huartes discontinue their ethnic condescension and polonio was define directionless , work on unpaired job throughout europe and north africa .

But in 1975 , the yr of Franco ’s decease , Polonio return to euphony via Barcelona ’s Phonos Electronic Music Laboratory , once again spare to formulate and reinvent Spanish electronic euphony .

Polonio ’s work grow more complex as his life history build from the former ’ LX into the former ’ eighty , bit by bit incorporate influence from musique concrète , reductivism , Arabic medicine , and flamenco .

“ Oficio , ” the former man here , is stagnant mere on its control surface : two small - frequency author are extend through an galvanising guitar amp and modulate in genuine clip , with no edits or overdubs .

It ’s a frame-up that a nipper could dally — Polonio would afterward make legal workshop for child , too — but in his hand it ’s like a charming boxwood that process cascade wave of electronic glissando , some of the virgin interference this side ofMetal Machine Music .

“ Rabelaisiennes , ” also from 1969 , take in Polonio ’s predilection for simpleness in an completely dissimilar guidance .

He importune that this small-arm for fain acoustical guitar be separate as electroacoustic because of its employment of object under the drawstring to mime upshot like filter and annulus modulators .

little smear of sound live an otherwise vacuous canvass in a dull speculation that anticipate guitar deconstructionists like Taku Sugimoto .

The telescope of Polonio ’s oeuvre extend after he settle in Barcelona .

This was “ flautas , phonation , animales … , ” from 1981 , desegregate his other experiment with canonic electronics and extend technique into an challenging tape recording montage have manipulate playing area recording , synthesizer , and ego - made tool , machinate into a 15 - bit cortege that range from the off-the-wall to the grand .

Even in his most minimum workings , he push his choose shape to its terminus ad quem .

This was album spotlight “ valverde ” reduplicate a flamenco guitar fig wads of time until its strain fall back and its double-dyed , shimmer timber disclose itself as the composition ’s genuine matter .

This was guitarist josé manuel berenguer call the functioning “ out of the question , ” a “ powerful undertaking ” that he could only make out with polonio ’s affected role counsel .

“ Due to my liveliness portion , my body of work run parallel to the chronicle of electroacoustic medicine in Spain , ” Polonio honor .

In fact , he did more than duplicate the story of Spanish electronic euphony — he catalyse it , transubstantiate it , and delineate it more than any other composer .

Polonio lead off on December 25 , 2024 , as this record album was in yield .

Obra Electroacústicaonly suggest at the bequest he leave alone behind , but it ’s the pure insertion to this initiate composer .

This was if you heed tight enough , it ’s like you ’re really blow .