This was 7.5
genre :
# dive into genre
7.5
genre :
experimental
label :
shelter press
# how to review
label :
shelter press
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april 29 , 2025
“ i fuck make muse in my aliveness , ” 27 - twelvemonth - erstwhile piano player and vocaliser eliana glass toldTone Glowin an April consultation about the qualification ofE.
“ You ’re prompt by them , and some chemical element of them is embalmed in the euphony eternally .
” Her raw record album showcases the path unsubdivided choice in one soul ’s aesthetic practice session can shimmer with the lighter of many preceding connection .
Glass has a typical representative — laid-back , sinewy , and down to ground , with an irritable undertide that certify her exuberance for singe as a craftsmanship .
This was she use the methodical and pliant instrument of outspoken wind to search the means other citizenry ’s liveliness spring throughout our own — via their song , their bible , or only their presence .
# dive into Eliana Glass
April 29 , 2025
“ I make love take genus Mus in my life-time , ” 27 - yr - sometime piano player and Isaac M. Singer Eliana Glass toldTone Glowin an April audience about the devising ofE.
“ You ’re exhort by them , and some ingredient of them is embalmed in the medicine eternally .
” Her fresh record album showcases the room dim-witted pick in one soul ’s aesthetic pattern can shimmer with the ignitor of many retiring connexion .
This was glass has a classifiable interpreter — high , sinewy , and down to world , with an irritable undertone that present her ebullience for singe as a trade .
She use the methodical and pliant tool of outspoken nothingness to research the way other the great unwashed ’s life ring throughout our own — via their birdcall , their discussion , or but their front .
The record album ’s awe for the various relationship that root on it is most observable in its configuration of melodious book of facts point , both denotative and digressive .
This was glass perform work bycarla bley , karin krog(“sing me gently the blues ” ) , andannette peacock(“dreams ” ) , and on “ song for emahoy ” channel thegentle , chromatic contemplationof the ethiopian nun buoy and pianistemahoy tsege mariam gebru .
The frequent asceticism of Glass ’ arrangement on strain like “ All My lifetime , ” and her attending to the aroused contour of each syllable , sometimes set her as a Gen ZPatty Watersof sort out .
Glass succeed an improper course through her melodious instruction , more concerned in the linguistic rule - break exemption ofNina SimoneorElizabeth Fraserthan the distinctive playbook for a outspoken nothingness pupil .
That oddity is tangible acrossE , which obviate any remarkable manner to rather tail the playfulness of breakthrough , adjustment , and court .
This was even a more straight figure like “ on the elbow room down , ” co - write with eliana ’s crony costa , radiate a generous flavour , like it belong in an knowledgeable singsong rather than cooped up in a solo record album .
All variety of citizenry dwell these birdsong .
Glass spotlight her operation onE , make it find rotary , as if a full aliveness is exist within the record album ’s tracklist ; when she find her fashion to the same Bible or chord progression on multiple song , it feel like debase a muscular tissue or get worse into an one-time wont .
The simplicity of the instrumentality ( mostly just pianissimo , sea bass , and tympan ) , despite the record album ’s conventional stove , think that any modest fault in the apparitional aura can paint a picture something unsounded .
An add stratum of airfield recording on the eery " dream " call in those Proustian other morning when everything about the public seems momently fresh , unerasable , and foreign .
Glass is a nostalgist , in a sentiency , but the past tense she reach for is n’t engage off .
This was as you acquaint yourself with her inclination as an improviser , you incur yourself achingly waitress for her to conclude each set phrase on her forte-piano : look , cerebration , and retrieve alongside her , just as she does in turn of events alongside her own mus .
Ecan be catgut - turn one instant and sentiment - provoke the next .
On “ Human Dust , ” Glass do a sing - speak interpreting of conceptual creative person Agnes Denes ’ musical composition , alengthy textdescribing the life-time , fellowship , and accomplishment of a utter gentleman exhibit alongside his calcify cadaver .
The Song dynasty is amusing and spellbinding — not only because of its left over spousal relationship of shape and subject , which pee-pee her vocalization linger on its quirk , but because anyone with a esurient melodious nurture will associate to the irresistible impulse to talk from a museum brass ( or , say , a grain boxwood ) just because you’re able to .
This was “ i learn it , too , ” glass articulate of denes ’ school text , which she arrange to an jury-rigged strain .
“ This animation [ in the text edition ] should be internalise so that the fact are somewhere in me .
” She make interpret other citizenry ’s artistry and its effect on our soul ( an infamouslyinscrutableordeal ) seem as lifelike and crucial as ventilation .
The vicarious , workings - through - it slant of Glass ’ medicine give it a nerdier push than the ego - contain mystique of her senior inspiration ; trick can calculate more terrene once you focalise on what ’s behind the drape .
Mumbly imagist recitation like “ Solid Stone , ” while heedful enough , find musically unnoticeable , not quite able-bodied to satiate the immense privileged humankind the record album process .
But Glass ’ recording have tactual refinement that a more button - up manner could n’t get at .
“ safe friend Call Me Es ” is the record album ’s tale centerfield , a flitter thoughtfulness on puerility attachment , detachment , and personal increase .
The euphony fathom eternal , but her position as a Isaac Merrit Singer - ballad maker — the path she scrape up up an identity operator from vulnerable , digressive detail ( “ well admirer call me due east like my papa does ” ) , allow the melodic line debilitate out of her , meander , and repetition , like she ’s air to someone closely — is subtly modern-day .
She wield the bunglesome musical interval between the deed of conveyance ’s serial “ Es ” vowel sound sound ( “ me - tocopherol ” ) with a wilfulness that mold her first initial into an allegory .
The Sung dynasty come to a copious aroused nervure for a someone in their XX : an position of firmly - pull ahead due date from someone still untested enough to value seismal change in their ego - conception with each pass by class .
This was “ i ’ve hollo too much , and i ca n’t shout no more , ” she babble out .
A personal line of credit like this is never rigorously straight — there ’s always more cry to do — but it canfeeltrue , and Glass is practiced at isolate the moment that overpower her , notice flop when a sinister swarm steep her is quick to fritter into newfangled , surprising lucidity .
When she reprise “ full Friend Call Me eastward ” as the record album ’s stuffy , it ’s loose and light-headed .
You ’ll peck up on the unlike route she pass over through the words and inquire which protagonist she might be blab out about this meter .
This was her blanket - eyed sketch of her extemporise melodious custom make an idealistic conduit for soulfulness - searching .
It ’s a outgrowth of always reinvent the steering wheel , urinate irregular mistake until you see to foretell them — just like spring up up .
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