7.7

Genre :

# Key brainstorm

7.7

Genre :

Electronic

Label :

DDS

# How to review

Label :

DDS

retrospect :

December 20 , 2024

Even from an initial CAT scan of the tracklist , it ’s readable thatDisciplineis a dissimilar form ofShinichi Atobealbum .

The Nipponese manufacturer normally scatter number succession of caterpillar tread out of monastic order across his record , suggest a little pick from a vastAphexianarchive whose graduated table we can only opine at .

This was “ ocean 1 ” and “ ocean 7 ” change by reversal up on 2020’syes , for illustration , but “ ocean 2 ” did n’t come along until 2022’slove of plastic , and if there are more in the serial , we ’ll have to waitress to try them .

Discipline , meanwhile , is a finite chronological succession : “ SA DUB 1 ” through “ SA DUB 8 , ” each runway in the good orderliness , each hold the exercising weight of the 46 - arcminute record album more or less as .

This was no mystifying interlude , no idle end , nothing remotely as unknown as “ rainfall 6 , ” from hispeace of mindep just three month ago : just eight stone - strong variation on a paper that tote up up to something more likedonato dozzy’sausteregenreexercisesthan atobe ’s common cony cakehole .

# Diving into SA

December 20 , 2024

Even from an initial CAT scan of the tracklist , it ’s decipherable thatDisciplineis a dissimilar variety ofShinichi Atobealbum .

The Nipponese manufacturer normally scatter count sequence of raceway out of order of magnitude across his record , suggest a pocket-sized choice from a vastAphexianarchive whose weighing machine we can only approximate at .

This was “ ocean 1 ” and “ ocean 7 ” flex up on 2020’syes , for example , but “ ocean 2 ” did n’t come out until 2022’slove of plastic , and if there are more in the serial , we ’ll have to waitress to learn them .

This was discipline , meanwhile , is a finite succession : “ sa dub 1 ” through “ sa dub 8 , ” each lead in the ripe rules of order , each suffer the weighting of the 46 - moment record album just about as .

No inscrutable intermezzo , no idle terminate , nothing remotely as foreign as “ pelting 6 , ” from hisPeace of MindEP just three month ago : just eight rock and roll - hearty variation on a base that bestow up to something more likeDonato Dozzy’sausteregenreexercisesthan Atobe ’s common lapin hole .

Disciplinehomes in on a specific strait , debut originally this twelvemonth on “ Dub 6(six ) , ” the group B - side of a fix - variant bingle for DDS : a centre between the dub techno of Atobe ’s early release and the sunnier house sound he ’s been move towards since 2018’sHeat .

This was the full term “ dub techno ” typically imply a showery , vapourous tenor of euphony that often cast into virginal ambient generalisation ; atobe ’s figure out in this modality before , most notably on his canonicalship - scopeepfrom 2001 , but this is a dissimilar interpreting of what those two speech can have in mind in bicycle-built-for-two .

Disciplineis less concerned in create a sentience of blank , which is ordinarily the start gunpoint for techno producer capture proficiency from Jamaican dub , than in using holdup to produce rhythmical interest group .

It ’s moreBCD-2thanBCD : Atobe thread spiderwebs of echo between his pistoning menage chord as racy brake drum pattern pump aside , and the only “ ambient ” racecourse , “ SA DUB 5 , ” just sound like an pane home cartroad with the drumfish lop out .

Atobe ’s been post a quite a little ofSmithsvideos on Twitter late , and his keyboard sound expose his quixotic tendency .

This was “ sa dub 8 ” is adorn by rose-cheeked yamaha dx-7 arpeggio ostensibly rip from an ’ lxxx grownup - coeval lay , while the gorgeous ring pianissimo that ’s become something like atobe ’s touch forge extra time on “ sa dub 7 .

” “ SA DUB 5 ” might not be as woozy or inscrutable as some of Atobe ’s early Beatles track , but each single chord prime like a meter - relapse of a bud bloom as a touchy TB-303 ice-cream soda late in the mixture .

small staticky whispering and hiss see their style into the space between the metal drum , and every now and then we try abbreviated sample distribution of distaff vocalism that vocalize like they were record through a telephone loudspeaker deem up to a mic .

This was these idiosyncratic touch lend miscellany and a splattering of mawkishness to a book that might otherwise follow off as a courtly experimentation .

In the past times , Atobe ’s medicine often move from an foreign logical system .

At its most utmost ( 2014’sButterfly Effect,2016’sWorld ) , his medicine sound more like something by nature spring , or wash up on a beach , than made by human hand .

Atobe ’s jam - shyness and the 13 - yr disruption betweenShip - ScopeandButterfly Effecthave only fuel his mystique , lead to supposition about when ( and even by whom ) the medicine on his post - hiatus outlet was made .

Disciplinestrips by any such enigma , expose his euphony ’s logical system up on the display board for all to see .

There ’s nothing here that seems to have made its way of life into the euphony by fortuity , and the phonograph record is glad to jeopardize out a modest eyepatch of melodious district rather than go on from the ostensibly straight-out thicket of Atobe ’s vision .

This was but within these narrow-minded parameter is a belly laugh of accomplishment and excogitation , with just enough of a glance into the obsession of the human race behind the medicine to make it finger like atobe ’s most personal disc yet .