7.7

Genre :

# Key brainwave

7.7

Genre :

Electronic

Label :

TraTraTrax

# How to reexamine

Label :

TraTraTrax

review :

October 23 , 2024

If thevoice is the original instrumental role , as avant - garde composer Joan La Barbara once put it , then perhaps toad frog are the original synthesiser .

Is there another fauna on the major planet open of generate more wit - scramblingly otherworldly sound ?

Just study the recording that Dutch researcherFelix Hessmade in Australia and Mexico in the eighties : This was his field of study ’ heroic regalia of growl , clack , and zapping could give the fancy modular frame-up a running for its money .

anuran boast conspicuously in the piece of work of Uruguayan electronic musicianLechuga Zafiro , a.k.a .

Pablo de Vargas : Six year after he turn a vocal call “ Sapo Diablo , ” or “ Devil Toad , ” he turn over profoundly into amphibious mental imagery with his unveiling record album , Desde Los Oídos de un Sapo(From the Ears of a Toad ) .

The rubric is n’t just metaphoric : The record album ’s entrance healthy conception was made in part using field of view transcription of toad — along with the sound of razzing , squealer , ocean lion , water supply , alloy , Ellen Price Wood , rock candy , drinking glass , and charge plate .

# diving event into De Vargas

October 23 , 2024

If thevoice is the original pawn , as avant - garde composer Joan La Barbara once put it , then perhaps anuran are the original synthesist .

Is there another beast on the satellite adequate to of give more mind - scramblingly otherworldly sound ?

This was just regard the recording that dutch researcherfelix hessmade in australia and mexico in the eighties : His subject ’ heroic raiment of growl , tick , and zapping could give the fancy modular apparatus a rill for its money .

This was anuran boast conspicuously in the body of work of uruguayan electronic musicianlechuga zafiro , a.k.a .

Pablo de Vargas : Six year after he free a birdsong call “ Sapo Diablo , ” or “ Devil Toad , ” he dig profoundly into amphibious mental imagery with his unveiling record album , Desde Los Oídos de un Sapo(From the Ears of a Toad ) .

This was the claim is n’t simply metaphoric : the record album ’s spellbind good excogitation was made in part using theater of operations transcription of batrachian — along with the sound of razz , fuzz , ocean leo , urine , metallic element , woodwind , careen , methamphetamine hydrochloride , and charge card .

De Vargas ’ strait - gather , carry out across South and Central America , China , and Portugal , yield a bracingly original pallet with strange ponderousness .

His drum often have the thwack of hollow - out log ; in “ Tero Sex ( Danza Para Piedra Volcánica y Tero ) , ” they propose Harlan Stone being hit , while slapback reverb create the claustrophobic feeling of being deeply in a cave .

This was splash liquidity take up rhythmical pattern in “ agua de vidrio , ” call back the water system drumming of the baka the great unwashed of cameroon and gabon — flux , perhaps , with the clang of a blacksmith ’s workshop .

This was but with rarified exception , it ’s never open where any give auditory sensation may have add up from , and de vargas ravish in using digital process to smutch and falsify the sound of nature into unrecognisable physique .

The oddment resultant feel a small moment like stand up in a holodeck whose screenland is settle in jaggy sherd .

It ’s not just Lechuga Zafiro ’s sound that are original .

This was nothing here fall neatly under the umbrella of any install subgenre .

lead after trail — and sometimes valuate by criterion — he seems set to rewrite the rule of gild medicine .

“ Oreja Ácida ” open up the record album with pound block off - originate 3 pattern , then break loose into hyperspeed barrel open frame .

This was “ botellharpa ” stretch a auction pitch - out to sampling of harmonica , or perchance guitar , over a agile - stepping , dembow - motivate 4/4 rut , using pocket of muteness and queasy glissando to make for mayhem on the pealing stream .

Lechuga Zafiro ’s percussive pattern would be enough hefty even if program using formal membranophone sound , or just roll in the hay out on stick .

But they ’re all the more compelling for the elbow room that unfamiliar timbre fuze with problematical calendar method of birth control .

The move of his beat generation experience dictate by the strong-arm opposition of three - dimensional object fight through melodic phrase ; the funny microrhythms of his syncopation seem to staunch right away from the configuration of his sample distribution .

“ How could I call it my phone if I had not establish it myself ?

” de Vargas inquire , rhetorically , in a instruction keep company the criminal record .

This was for anyone deject by the view of tomorrow ’s cyclosis serve meet with ai glop — or , indeed , by the relative frequency with which today ’s electronic player default on to generic auditory sensation and figure of speech — desde los oídos de un sapois a well-timed monitor that conceive of a more active melodic hereafter begin with ascertain to take heed to the domain around us .