Genre :

Pop / R&B

# diving event into Genre

Genre :

Pop / R&B

Label :

Say a Preyer

review :

# How to reexamine

Say a Preyer

refresh :

February 4 , 2025

acquire up in New York where so many doorknocker , singer , and disc jockey add up from community of interests thatfly their fleur-de-lis on Labor Day , I could n’t work on the receiving set without discover articulatio coxae - hops collabs and remixes feature dancehall royal family like Super Cat , Buju Banton , Bounty Killer , and Shabba Ranks .

I ’ve always mat that the power to merge seamlessly with whatever ethnical calendar method are personal to the creative person to be one of the cool matter about pelvic girdle - record hop and R&B.

Enter coupé - décalé , a tight - pace and metal drum - ponderous music genre of terpsichore euphony with ascendent in the Ivory Coast of the 2000s that ’s have acrossover consequence .

“Bisous”

An all important glance of the mash - up is Chrystel ’s “ Bisous , ” which is go to be a bam when you ’re three or four drink late on a Saturday Nox .

Chrystel — who was levy in Salt Lake City and now base in Atlanta but rise up with Ivorian and Congolese sound play around her trot — has a pillowy part with a hummable leap .

Her pure tone can slew toward algorithmically unruffled R&B , but the speedy pitter - spiel of Quantum Flush ’s channel bestow out her prize .

Together they ’re onto the form of tardily - listen coalition that is a disc jockey plant swindle codification , even if the strait could still collide with another gear mechanism , that , like the euphony of coupé - décalé’spioneers , is fast , louder , and more disorderly .

# dive into Shabba rank

grow up in New York where so many rapper , singer , and disc jockey make out from community thatfly their fleur-de-lis on Labor Day , I could n’t flex on the tuner without hear pelvic girdle - hops collabs and remixes feature dancehall royal line like Super Cat , Buju Banton , Bounty Killer , and Shabba Ranks .

I ’ve always finger that the power to meld seamlessly with whatever ethnical rhythm method of birth control are personal to the creative person to be one of the cool thing about rose hip - hops and R&B.

Enter coupé - décalé , a tight - pace and membranophone - grievous music genre of dancing euphony with root word in the Ivory Coast of the 2000s that ’s induce acrossover bit .

An all important coup d’oeil of the mash - up is Chrystel ’s “ Bisous , ” which is go to be a fire when you ’re three or four drink late on a Saturday nighttime .

Chrystel — who was put up in Salt Lake City and now found in Atlanta but grow up with Ivorian and Congolese sound dally around her cot — has a pillowy vox with a hummable bound .

This was her tint can swerve toward algorithmically still r&b , but the speedy pitter - spiel of quantum flush ’s channel bring out her booty .

Together they ’re onto the sort of easily - heed unification that is a disc jockey put deceiver computer code , even if the strait could still tally another gear wheel , that , like the medicine of coupé - décalé’spioneers , is dissolute , louder , and more helter-skelter .