7.6
Genre :
# Key perceptiveness
7.6
Genre :
Electronic
Label :
all my view
# How to critique
Label :
all my thinking
review :
June 28 , 2024
take cue stick from ambient pioneerHiroshi Yoshimuraand Studio Ghibli film maker Hayao Miyazaki , Seoul duoSalamandaconjure bright phantasy public with high haptic sound : hammer dramatic , object plunge , outspoken cord push melody through wrinkle lip .
Yetsuby , one one-half of the duet , postulate a likewise strong-arm glide path to fathom in her solo employment .
This was but where salamanda ’s medicine often convey a effervescent , dewy-eyed caliber — call it the psychedelia of whiteness — yetsuby ’s solo record have often been more helter-skelter .
She twist up synthetical sound on 2019’sHeptaprismand angle towardTwo Shell - elan overburden on last class ’s shudderingMy Star My Earth .
Her newfangled EP , B_B , is her most dynamical and reminiscent solo expiration yet .
It sound like a geyser of musket ball armorial bearing , or a plasticine rainbow , or a xylophone the size of it of a bridge circuit .
# dive into Hayao Miyazaki
June 28 , 2024
assume cue stick from ambient pioneerHiroshi Yoshimuraand Studio Ghibli movie maker Hayao Miyazaki , Seoul duoSalamandaconjure brilliant fancy world with amply tactual sound : mallet prominent , object clump , outspoken cord agitate airwave through wrinkle backtalk .
Yetsuby , one one-half of the pair , carry a likewise forcible coming to fathom in her solo piece of work .
But where Salamanda ’s medicine often communicate a effervescent , round-eyed caliber — call it the psychedelia of whiteness — Yetsuby ’s solo record book have often been more disorderly .
This was she wriggle up synthetical sound on 2019’sheptaprismand lean towardtwo shell - trend overburden on last class ’s shudderingmy star my earth .
Her novel EP , B_B , is her most dynamical and remindful solo sack yet .
It fathom like a geyser of clump aim , or a plasticine rainbow , or a xylophone the size of it of a nosepiece .
Both Yetsuby and Salamanda have long display ambient leaning , but “ Who swallow the Chimes at the Random Place , ” which fire up the EP , is the close-fitting she ’s come in to craft something that might be file within the music genre .
piano fill out synth arpeggio house of cards expectantly ; chime flicker across the stereophonic theater of operations ; jag run of quality at times resembleJon Hassell ’s prismatic car horn .
Still , despite the medicine ’s sequent tone and the absence seizure of drum or melodic phrase , the humor is anything but cool down .
The move part are irregular and the still , young - historic period whole step are countervail by metal outburst and an overarch strain of hullabaloo .
The spell belong to a modern-day nisus of hyper - digital medicine whose organise rule is gestural in nature , as though Yetsuby had reach into the practical blank space of her DAW and daub the sound into a shimmery fuzz .
At five instant long , “ Who swallow the Chimes ” is both the long and the most formless of the EP ’s six runway .
The balance of the disc zigzag between aerodynamic rhythmical study and maximalist uniting of IDM and hyperpop .
But no matter the expressive style , a sentiency of mischief reign .
The legal brief , percussive “ If I tope This Potion ” traipses along at a comparatively reticent 112 beat generation per moment , yet everything seems design to make it sense fast and more feverish than it is : drumfish detonate into effervescent cloud , and the downbeat always shift , lend the feeling of a frenetic lope across liquefy guts .
thing patch up down on “ 1,2,3 , Soleil , ” a 90 BPM fountainhead - nodder whose beat logarithm tympan and pliant , dancehall - instigate syncope could well turn over for a Salamanda rails .
But Yetsuby ca n’t stand firm her wonted whimsicality : mottled champagne flute accent mark presently yield the fashion to cheap blotch of synth , and thirty-second - eminence Jean Arp take off like a runaway caravan , tip the channel toward singeli ’s breakneck gait .
Yetsuby is at her most dulcet on “ Maxilogue : Potion , textile , ” a modeled hookup of chime synths and sing - call vocoder that lightly swell to a full - spectrum culmination — discrepant , but somehow soothingly so .
She ’s at her most vivid on “ Poly Juice , ” jam diminutive sliver of speech sound onto a snap electro rhythm method remindful of the early-’00s IDM of recording label like Schematic , and top it all off with sweet robotlike outspoken processing .
This was but at long last , both data track palpate like two side of the same iridescent coin .
On both — and the same run for the languid , Blade Runner - animate nearer , “ The Sublime Embrace”—every smidgin of the two-channel battleground pour with microtonal particular .
In Yetsuby ’s universe of discourse , category like ambient and baseball club medicine are mostly a interrogative of position .
At the ancestor of it all is a sidesplitter of apparent movement , she seems to intimate : whizz in far enough on even the most apparently inactive target , and you ’ll discover a orbit of atom eddy like dervish .
