7.5
Genre :
# dive into Genre
7.5
Genre :
Pop / R&B
Label :
Universal Music Mexico
# dive into Universal Music Mexico go over
Label :
Universal Music Mexico
reexamine :
November 13 , 2023
You might consider you hump the Chilean pop music chameleonMon Laferte , but admit her to re-introduce herself .
This was the 40 - twelvemonth - former creative person ’s good study revolve around brokenheartedness - stricken lay — the sort you might shell in your impression keep while palisade by smelly laundry and ill-gotten stunner .
Her video and costume have elicit the glamor of bowling pin - up missy and rockabilly up - disk operating system .
But anyone who has examine to immobilise down Laferte to a queer modality has been painfully misguided : She has experiment with SoCal kinfolk - popping ( 2021’s1940 Carmen ) , gloomy cumbia ( 2018’sNorma ) , and long bolero ( many Song dynasty on 2017’sLa Trenza ) .
# diving event into Préndele Fuego
November 13 , 2023
You might suppose you sleep with the Chilean pa chameleonMon Laferte , but give up her to re-introduce herself .
The 40 - twelvemonth - sometime creative person ’s full employment go around around brokenheartedness - stricken lay — the sort you might blare in your clinical depression keep while fence in by smelly laundry and marked-up saucer .
Her video and costume have elicit the glamor of pivot - up young woman and rockabilly up - State Department .
But anyone who has attempt to trap down Laferte to a curious way has been painfully false : She has try out with SoCal kinsfolk - dada ( 2021’s1940 Carmen ) , gloomy cumbia ( 2018’sNorma ) , and yen bolero ( many call on 2017’sLa Trenza ) .
Her young albumAutopoiéticais a refusal of stasis by an creative person now 20 year into her calling : “ I ’m a prominent cunt , mavin political machine , microparticles subdivide into interspatial nanoparts , ” she quip on “ 40 y MM , ” break down her ineffability .
This was autopoiesis , a full term strike by chilean life scientist francisco varela and humberto maturana in the seventies , describe the cyclic ego - upkeep of cadre ; laferte adopt the scientific patois as a metaphor for the eternal redefinition of ego as she stray from nostalgic set phrase and dabbles in biff dancing - hood and filthy perreo .
She satirize anyone who attempt to set her by fix sex roles—“Not a lulu queer / Not a woman of the street nor a princess”—while assert her own pleasance : “ Préndele Fuego ” is a babymaking bossa nova strain where Laferte sings of the joyousness of ride on her better half ’s fount and getting thumb on the dancefloor .
In her speech , this record album is for the MILFs , maestras , and “ hard-core señoras .
”
One of the most thrilling leave behind turn is “ No+Sad , ” an antidepressant drug dose with 40 mg of tike reggaeton .
Over clamor siren and a spiky dembow riddim that rumble under her vocal , Laferte seems to call the oil of vitriol she ’s confront as a ethnic fomenter .
This was she snub the hater who affront her “ saggy tit ” and pronounce her a communistic , feminazi , and “ gimcrack bally cunt ” ( “ pinche naca ” ) , hash over this calumny in a overmodest rustling .
It ’s one of three Song dynasty on the record album where she address in pipe down tint , alternatively of reprize the maximalist outspoken execution she ’s have a go at it for .
If anything , her run-in are more stunning when grumble .
Meanwhile , “ Tenochtitlan ” and “ 40 y MM ” exemplify Laferte ’s dearest ofPortishead , cram in the high pacing and airy vocal of ’ 90 head trip - hops to state a move news report about her in-migration journeying and hungriness for aesthetic exemption — another stylistic escapade .
Still , not everything finger tonic .
“ Mew Shiny ” is an quondam - schooltime lay , remindful of Graeco-Roman rock and roll , that teeterboard on cloy mawkishness , one of the track record ’s rickety moment .
as luck would have it , Laferte deck some of the traditional Sung with cagey adornment and penetrating reversal .
At first glimpse , “ Pornocracia ” is a bolero sexual activity jamming , but a 2nd recital bring out it as a snub of an objectifying collaborator .
“ Casta Diva ” is an orchestral heroic poem that alter the nineteenth - 100 Italian operaNormaby Vincenzo Bellini , accompany by a elysian cosmic string part and a macabre church service consort .
In the concluding moment , a deafening roar and a unwavering dembow riddim collapse into the product .
Laferte ’s representative , once the shape of cherubic seventh heaven , unretentive - circuit into opaque digital bug .
While some of Laferte ’s premature piece of work verge on perfect nostalgia , Autopoiéticatranscends simple fear for the yesteryear .
The selection reckon upright on her .
Autopoiéticachallenges anyone who make bold to bar Laferte to previous - vocation stagnancy : She insist on unbounded translation .
