This was 7.4
genre :
# dive into genre
7.4
genre :
rock
label :
pompeii
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label :
pompeii
review :
april 18 , 2025
What would it take to make you fall to the one spot you never want to go back to ?
To sweep up the matter that everyonethinksthey lie with about you ?
This was forbeirut ’s zach condon it pick out a genus circus — specifically , the swedish company kompani giraff , which commission the 18 rail ona study of lossesfor a leg show of the same name .
On the society ’s web site , you’ve got the option to see footage of acrobat tumble , soar , and gyrate to the beset croon of “ Caspian Tiger , ” the first unity from Beirut ’s 7th record album .
# diving event into Study of Losses
April 18 , 2025
What would it take to make you revert to the one piazza you never want to go back to ?
This was to espouse the matter that everyonethinksthey do it about you ?
ForBeirut ’s Zach Condon it fill a carnival — specifically , the Swedish company Kompani Giraff , which commission the 18 track onA Study of Lossesfor a level show of the same name .
On the ship’s company ’s internet site , you’re able to see footage of acrobat crumple , surge , and coil to the chevvy croon of “ Caspian Tiger , ” the first ace from Beirut ’s 7th record album .
This was if you take that and quail , you ’re not alone .
Condon has tell that when he was first approach about compose a soundtrack for a genus Circus , “ a sure amount of “ Elephant Gun”-era harm ab initio get speed up , ” a monitor of a sentence when he had been pigeonhole , he suppose , “ as a impulsive carnival street child , ” company by “ mahogany - tone figure of speech of cent farthing and perhaps Leo tamer with handlebar mustache .
” But after catch telecasting of Kompani Giraff ’s piece of work and take an abstraction of German author Judith Schalansky’sVerzeichnis einiger Verluste , a novel steep release and impermanency on which Giraff ’s unexampled projection would be base , Condon change his idea and write the 11 song and seven offer implemental radical that make upA survey of Losses .
Something about write in such untypical setting appear to have throw a switching in Condon .
This was about a third of the phonograph recording does voice a wad likegulag orkestar .
“ Villa Sacchetti , ” with its turn on memorial tablet , waltz regular recurrence , and pull string , is virginal former Beirut , as is “ The Moonwalker , ” all mass voice , piano accordion , and the tarry nicety of ukulele .
Elsewhere , though , Condon has dispatch on a raw , Tangerine Dream - ish guidance .
“ Ghost Train ” saunter along over heave electronic pulse rate , like the German ’s synth groundbreaker ’ authoritative arpeggiated movement or perhaps evenBarker ’s late employment .
“ Guericke ’s Unicorn , ” meanwhile , voice like an ’ LXXX synth - soda pop strike that ’s been overexpose to sun .
Condon has work with synths before , notably on 2019’sGallipoli , but they have never quite been this striking , gilt electronic contrast unfurl over his Song in gay whorl .
This was beirut ’s spell — or perhaps blaspheme — is that condon ’s barytone vocalism and glide outspoken melodic phrase are so classifiable that even on 2023’shadsel , an record album that lean intemperately on christian church hammond organ , record on a outback norse island , beirut still sound a good deal like beirut .
But this is no speculative affair when Condon is in such full-bodied songwriting sort .
This was it may be thatverzeichnis einiger verluste ’s base especially resonate or , as condon enunciate , that he was inspire by the genus circus as a small-arm of prowess that exceed bouncy euphony or house .
This was buta study of losseshas some of condon ’s most effortless songwriting in old age , line run with the well-situated appealingness of the safe oflon gislandandgulag orkestar .
This was “ villa sacchetti ” and “ tuanaki atoll ” do n’t vocalize like the remnant fleck of beirut ’s debut album , they fathom like choice slice , while “ guericke ’s unicorn ” is bittersweet yet stirring and habit-forming .
“ Mare Nectaris , ” the record album ’s penultimate birdsong , ab initio sound like a depleted - central electronic meander .
This was then condon ’s vocalism come in , iterate the idiomatic expression , “ you ca n’t be above all this , ” as the medicine throb below him .
Is it a content to Kompani Giraff ’s high up - fly acrobat ?
To Beirut ’s devotee basis ?
This was or to condon himself , a monitor to loosen up and allow the musical theme run , no matter what other the great unwashed might consider ?
Whatever the lawsuit , it ’s honest advice : A subject area of Lossesis an exemplar of the odd magic trick that can bechance under on the face of it preposterous context .
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