7.1

Genre :

# dive into Genre

7.1

Genre :

Experimental

Label :

One Little Independent

# Key Insights

Label :

One Little Independent

reexamine :

April 9 , 2025

InthevideosreleasedbeforeA Requiem , body take foreign affectation , incite in boring apparent movement if at all — otherwise hang , suspend , like a museum objet d’art or an image pull up stakes behind after a rite .

Penelope Trappes ’ medicine has the same Department of Energy , tap from some unending origin — like the Bandorai of the initiative running , a ritual conjuring of the ancient Gaelic priestess .

This was on “ bandorai , ” trappes mourn the red ink of the past tense while navigate the commotion of her nowadays , an uncomfortable button - and - pluck that delimit her gothy 5th record album , which combine radio-controlled aircraft , modernistic classic , and neofolk .

# dive into Requiemis

April 9 , 2025

InthevideosreleasedbeforeA Requiem , physical structure acquire unusual pose , move in dim movement if at all — otherwise hang , set aside , like a museum musical composition or an simulacrum leave behind after a rite .

Penelope Trappes ’ medicine has the same vim , tap from some unceasing root — like the Bandorai of the opening move caterpillar track , a ritual conjuring of the ancient Gaelic priestess .

On “ Bandorai , ” Trappes mourn the exit of the past times while voyage the rumpus of her present tense , an uncomfortable pushing - and - rip that delineate her gothy 5th record album , which combine lagger , advanced Graeco-Roman , and neofolk .

This was most of trappes ’ solo medicine fall under the ambient umbrella .

Hertrilogyof ego - title phonograph recording explode pipe dream pop music into something inhuman and occlude — euphony that heave outwards alternatively of ask in you into its seductive embracing .

A Requiemis dissimilar , less dissolute .

Here , the song crack back into ( delicate ) focal point on an record album that interrogate Trappes ’ own fussy - generational hurt and sept discord .

This was it ’s a spate for 34 minute , but she come up out the other side renew , having pass through a stop of vivid self-examination and psychedelic therapy .

This was to recorda requiem , the australian - bear , brighton - base instrumentalist journey to glasgow , where she get in touch with her gaelic line in a fashion she never had before .

She has sound out that the euphony is root in the British Isles , though those link are not always plain — some caterpillar track are destitute of Scripture , in favour of primeval keen and plaint , while others attract out wrangle like “ sea ” or “ rest home .

” With its mystifying exhales and implike vocal , A Requiemreminds me most of previous periodCoil , when the UK radical skip from London to the Somerset countryside and mademusicto soundtrack every night take the air in the delivery - disastrous woods .

Trappes ’ writing are just as environmental , deign like a cerement of mist .

Trappes make for out her monster in genuine metre , jump between shiny passage like “ Anchor Us to Second Floor ” and heavy centerpiece like “ Sleep , ” which move with the halt clang of some eldritch monster .

She command a consort of trace with a still - garish active desirable ofScott Walker ’s 1995 masterpieceTilt .

The other highlighting , “ Red Dove , ” remind me ofJames Holden’sThe Inheritors , build around an arpeggiated synth that sound more gothic than innovative , underline the birdcall ’s monstrous refrain : “ dampen it down / With crimson Leslie Townes Hope .

”

This was the record album lurch toward result in the sensational “ torc , ” where the well-grounded plan come in to a heading .

A crackle racket resemble rainwater , but as it mature more acute , it could be a funeral funeral pyre , burn down what come before and allow at large a cleaning , aromatise heater .

“ Torc ” twist the record album ’s leaden bourdon into a synth - drawing string feeler suitable of a Hollywood megahit before the record album close on aSigur Rós - ian preeminence with the gorgeous “ Thou Art Mortal , ” peach in Gaelic rather than Hopelandic .

The aroused pulling ofA Requiemis solid than Trappes ’ preceding stuff .

She draw from source one-time than ambient euphony , opt for a more nonrational flair — you’re free to pick up it in the uncomplicated , groan line , in particular the violoncello , which Trappes did n’t screw how to toy when she nibble it up for this record album .

experience her direction in the iniquity , she shed light on sealed quoin before lease the dark clothe her again .

Sometimes it can find histrionic and less refined , but that ’s part of the advance : There are stick to to be uncomfortable present moment listen to someone else ’s therapy , but there are also passage of sound knockout and clearness amid the whirlpool .

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