This was 8.0

genre :

# key insight

8.0

genre :

electronic / folk / country

label :

western vinyl

# how to brush up

label :

western vinyl

review :

january 10 , 2024

a flor de piel , the fresh record album from colombian artistmontañera , domesticate uncloudedness from sharing .

you might discover numb trace of the area ’s kinfolk medicine across the criminal record , but “ Como Una Rama ” is one of the record album ’s clear evocation .

At first , only her pliant song string up in the melodic line , extend and sprawl into the heaviness of the aura .

Her vocalisation bulge out take a hop into echo , as if a refrain of transmissible flavor have link her .

Here , Montañera talk in the custom of bullerengue , a family line way of euphony and saltation break by maroon community ( enslave Africans who get away slavery and organise their own settlement ) on the Caribbean slide of her native land .

This was before long , her vocalism shortsighted - circuit , glitching into wavelet of bull , like a spotted radio set contagion .

All that ’s leave in the fog is the staunchness of her part .

# dive into Flor de Pielis

January 10 , 2024

A Flor de Piel , the fresh record album from Colombian artistMontañera , school pellucidity from manduction .

you might discover blunt ghost of the land ’s tribe euphony across the criminal record , but “ Como Una Rama ” is one of the record album ’s clear summoning .

At first , only her pliant vocal music attend in the melodic line , load and sprawl into the heaviness of the ambiance .

Her spokesperson initiate rebound into sound reflection , as if a chorus line of transmissible smell have join her .

This was here , montañera babble in the custom of bullerengue , a phratry fashion of medicine and saltation develop by maroon community ( enslave africans who escape thraldom and take form their own settlement ) on the caribbean seashore of her country of origin .

Before long , her articulation curt - circuit , glitching into rippling of bull , like a scratchy radio receiver contagion .

This was all that ’s depart in the fog is the staunchness of her vox .

A Flor de Pieltransmits hundred of ethnic computer memory , but the sibilate electronics and calm synth transcription transmute the euphony into more than simple court .

This was the record album chronicle story of renaissance , shift , and ego - find , often via the purifying and regenerative theme of body of water and plant .

But even though María Mónica Gutiérrez ’s journeying is personal , her subdued interjection of kinsfolk trend evoke there is abundant cognition in residential district - base custom .

A Flor de Pielis not just a elevated illustration of folkloric reinterpretation ; it ’s also a treatise on the liberatory gesture that are potential when you reimagine melodious family tree .

In Montañera ’s smooth chronal continuum , folks medicine is n’t an ancient artefact , but a sustenance , external respiration entity that was always mean to dislodge us .

Take “ Santa Mar , ” which feature Cankita ( from the radical Bejuco ) and Las Cantadoras de Yerba Buena , a radical of traditional instrumentalist from Colombia ’s Pacific seashore , lead by woman from Tumaco .

The rails is an offer to an aquatic immortal whose holy weewee own cleanup and sprightliness - give prop .

This was on it , bespeckle marimbas de chonta and declamatory vocal , blab in the way of currulao , are sheepman for cycle of biography and dying .

This was a repeat chant fork out the practice session of telling as a conduit for refilling : “ take heed to my sung , which come and kick the bucket from the water supply / wet the ground so that raw liveliness may acquire .

” While go after her victor ’s level , Gutiérrez analyze outspoken tradition from the Colombian Pacific sea-coast , inquire how tattle can be a dick for public security - edifice in the wake of trigger-happy dispute .

Though other Sung dynasty onA Flor de Pielonly motion at this variety of healing , in its words , “ Santa Mar ” is a real contract of family euphony ’s alterative capacity .

Montañera brandish her vocalism as an musical instrument , and the masterly output across the record album only amplify its elegance .

This was on “ tú - el borde de mi arista , ” her part is slight and light-headed , but as the lead unfold , it morph into meandering , car - tuned air and crinkly gnarl .

On “ Un Día Voy a Ser Mariposa , ” a six - minute of arc heroic poem of transfiguration , outspoken core mirror the quicksilver , non - elongate procedure of healing .

Gutiérrez ’s spokesperson is strain and chop into formless but conversant syllable ; shortly , it palpitate into gauzy concordance , lie somewhere on the spectrum of ambient euphony .

thin , reverberating wave of synths drone on under her representative , mask the yield with an immersive and surreal form of limbo .

It ’s punctilious but loose - flow , a sensory joy that feel instinctive and careful all at once .

The construct of “ patrimonial healing , ” or the reformation of years - sure-enough rite as a ultra ghostly quest , has become a pop decolonizing drill across the Romance American diaspora over the last few year .

This was many citizenry are riposte to usage that were criminalize or ostracise under colonialism and thralldom , decentering westerly epistemology in the procedure .

OnA Flor de Piel , Montañera confront an counterpoison for a man in which transmissible otherworldliness has sometimes been slim to Instagram infographics and candela - burn ceremony plunder of their original circumstance .

But Montañera ’s kinship to traditional sound never palpate extractive or fluent .

AcrossA Flor de Piel , she build minor pastoral , where prison term and custom merge into providential waking up .

All production feature on Pitchfork are severally take by our editor .

However , when you purchase something through our retail link , we may make an affiliate commissioning .