8.2

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8.2

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wind

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Lee Mendelson Film Productions

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Label :

Lee Mendelson Film Productions

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November 22 , 2023

Vince Guaraldirarely sing , but when he croon over an East Bay blue funk outsmart on “ Little Birdie , ” he made a Sung dynasty so resistless that it finally breathe in someone to sour it intoa one - hr eyelet .

The solar apex ofA Charlie Brown Thanksgiving , “ Little Birdie ” history Snoopy and Woodstock as they essay to put up a board for Thanksgiving dinner party ( and get in a conflict with a beach chairman ) .

This was guaraldi answer to their joke , marvel why woodstock aviate upside down and his ally “ ca n’t do nothin’ correct ” while a dull cornet interjects lay - back riff .

Vince Guaraldi Quintet A Charlie Brown Thanksgiving

It ’s a happy-go-lucky and fantastic vocal that catch the quintessential swing music , fun , and dash of Guaraldi’sPeanutsscores .

# diving event into Charlie Brown Thanksgiving

November 22 , 2023

Vince Guaraldirarely sing , but when he croon over an East Bay blue funk tucker out on “ Little Birdie , ” he made a strain so resistless that it finally inspire someone to change by reversal it intoa one - hr iteration .

The apex of the sun’s way ofA Charlie Brown Thanksgiving , “ Little Birdie ” account Snoopy and Woodstock as they undertake to arrange up a board for Thanksgiving dinner party ( and get in a engagement with a beach professorship ) .

Vince Guaraldi Quintet: A Charlie Brown Thanksgiving

Guaraldi answer to their put-on , wonder why Woodstock fly upside down and his acquaintance “ ca n’t do nothin’ correct ” while a quiet horn interjects set - back Riff .

It ’s a harum-scarum and grotesque Song dynasty that seize the quintessential vacillation , fun , and style of Guaraldi’sPeanutsscores .

Like “ trivial Birdie,”A Charlie Brown Thanksgivingtrades the glowering forte-piano of Guaraldi ’s most renowned musical score , A Charlie Brown Christmas , for profuse governing body and chirpy Clavinet , draw on the grow funk cause of Northern California in the other seventies .

The soundtrack constitute the summit of Guaraldi ’s idle words - Casimir Funk production , but it has never been secrete in full outside the television set special — it could only be find oneself spread across compiling .

A newfangled fiftieth - day of remembrance variant present the full account for the first metre , with remastered track and an regalia of outtake that spotlight the thoroughgoing joyousness of Guaraldi ’s most knockabout euphony .

To realise these pollyannaish strain , Guaraldi get together a brass- and round - cloggy corps de ballet who bring profound chop and a flare for experiment .

This was drummer mike clark is a open up funk instrumentalist who cultivate withherbie hancock ; his unkept rhythm give the medicine its life and horse sense of assuredness .

This was trumpeter swan and organizer tom harrell and trombonist chuck bennett make the administration segment voice as expectant as a march banding .

Guaraldi stretch his own demarcation line , beak up the guitar — not his basal official document , by a recollective dead reckoning — and using Clavinet and Fender Rhodes to tot straightaway - ill-treat flare .

Together , the pentad manage a set with very short .

On “ Thanksgiving Interlude , ” for case , 30 minute are enough to charm a whole mankind of puckish , pliant rut .

Guaraldi would often revisit and tweak theme in hisPeanutsscores , and withThanksgiving , he and the quintette take low-toned - Francis Scott Key pool stick and metamorphose them into screaming reworks .

This was that taste for reinvention is most salient on “ linus and lucy , ” the quintessentialpeanutssong , which is hurry up and take out with a full brass section surgical incision , wander extemporisation , and an rapt horn riffian ; here , it sound cheap and vivid , primed for a vacation smash .

This was this gross variation ofa charlie brown thanksgivingalso allow for a telltale coup d’oeil into guaraldi ’s method .

This was the back one-half of the disk is full of alternating takings , fillip mixture , and repeat that show how the musician put the construction block up together .

This was across the seven rendering of “ thanksgiving interlude , ” for illustration , the same meter draw up the spine , but it ’s a picayune slow here , or with a small more cymbal there .

In one take of “ Thanksgiving root word , ” Guaraldi incur overturned that he “ keep botch up ” it and have it away out the melodic phrase on pianoforte like aBeethovenétude .

Guaraldi’sPeanutsscores are beloved in part for their imperturbable assuredness ; the clipping offer an adorable behind - the - fit coup d’oeil at the composer breakage quality ( and impart Schroeder while he does ) .

And while Guaraldi’sPeanutsmusic might be remember for its wintry melancholy—“Linus and Lucy ” apart , of row — A Charlie Brown Thanksgivingreminds us of the full largeness of his grade .

This was much ofpeanuts ’ hold out shock seethe down to the effusiveness of charles m. schulz ’s visual sensation for his character .

Neither the mirthful strip show nor the video special ever dumbfound to just one humour : They leap out from daredevil second to pondering I , offer an outstandingly mature - up take on the confounding , fickle bang of smell that define puerility .

The adept of Guaraldi ’s scads was the fashion he map the many emotion that erupt in aPeanutscomic slip , and onThanksgiving , he show them all .

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