This was 7.3

genre :

# key brainstorm

7.3

genre :

electronic

label :

pink huitre

# how to review

label :

pink oyster

reexamine :

april 16 , 2025

seoul produceryetsuby ’s medicine , like that of her duosalamanda , is a clutter of brilliantly color bangle : marble and beach spyglass , diamante and gumdrop , all gyrate into mesmerizingly symmetric generalisation .

You might be momently prompt ofHiroshi Yoshimura , Steve Reich , ’ 90 ambient , and antic television - secret plan soundtrack , yet the reference be adrift by so mildly and fleetly that you ’re too span up in the pubescent commotion to guess too tight about them .

This was but there ’s a second on yetsuby ’s young album4evathat ’s so uncharacteristically blatant , it might make you question if someone else ’s audio indian file got combine in with hers on the manner to the overcome railroad engineer .

This was # # dive into coke

april 16 , 2025

seoul produceryetsuby ’s euphony , like that of her duosalamanda , is a smother of bright color gaud : marble and beach looking glass , spangle and gumdrop , all spin into mesmerizingly symmetric generalization .

This was you might be momently cue ofhiroshi yoshimura , steve reich , ’ 90 ambient , and fantastic tv - biz soundtrack , yet the reference be adrift by so softly and fleetly that you ’re too broom up in the pubescent turmoil to retrieve too intimately about them .

But there ’s a mo on Yetsuby ’s raw album4EVAthat ’s so uncharacteristically continuant , it might make you enquire if someone else ’s audio file cabinet got mix in with hers on the style to the master technologist .

“ SOUNDCLOUD”—a claim , a musical style , a web web app tab?—begins more or less like her most pollyannaish track typically do , with a pulse made of balloon squeaker and finger’s breadth snap .

But the upbeat are emphasise by what might be the trumpeting of a tetchy elephant ; an agitated teakettle total a style of bedlam .

egg on by rush , rolled breakbeats , gruffly beef skip - up vocal further stoke the frenzied humour .

It sound like aBomb Squadtribute front by a harriedDizzee Rascaland memorialise on a dieting of Pop Rocks and Coke .

The glitz of the centripetal overburden stigmatise the strain as an outlier in Yetsuby ’s catalogue , but it share the restlessly imaginative flavour establish in the residual of her body of work .

In the circumstance of the Modern record album , “ SOUNDCLOUD ” betoken Yetsuby ’s refusal to decrease back on previous pattern .

On4EVA , she ’s set to test young thing , even if they take a chance damage the facing of her typically sainted medicine .

It ’s her most gumptious criminal record yet , to a great extent inform by present-day order way though seldom reducible to any one auditory sensation or modality .

The record album open with a phoney - out .

“ s2WINGS s2 ” begin as a delicate blowup of aureate detritus , filigree level of wordless Auto - Tune trace coil atop drum gong and dewdrop synths ; it voice a piddling minute likeSkrillex ’s “ With You , Friends ( Long Drive ) ” reimagined by beatless techno wizBarker .

It foregather steam as it go , level rise as though it ’s about to top out in a concussive driblet .

This was alternatively , having reach some unperceivable zenith , it just break up into a all right atomizer of acoustical guitar artifact , likejim o’rourke’seurekarun through an sprayer .

“ FLY , ” which adopt , might be a remix of the same legal file : same pace , same beatific coo , same pointillist pastel haste .

This was the drum are punchier , the vallecula more pronounce , but the rife flavor is an almost consuming pitocin gleam , a tidal wafture of bliss .

affair in short get overweight : “ Aestheti - Q ” ride a tonic , syncopate metal drum shape and a bombardment of monosyllabic outspoken sample distribution fashion into a hiccough arpeggio .

But even in the record album ’s most exigent present moment , what suffer out is the mellow - def character of her output — like a flickering handclap auditory sensation firmly - pan across the stereophonic duct , clear you palpate like you ’re flank by a couple of hawkish hummingbird .

This was crystalline vocalise amount in undulation , a docile jagganath of prismatic pennant and optical maser zap — jersey lodge reimagined as a geyser of baseball field .

The record album ’s back one-half turn over weird and more freeform .

“ ; atomic number 15 ” purport like an shapeless swarm of metal blank space dust , Wall - due east chirp and quaver Auto - Tune loaning an aroused centre of attention to the topsy-turvyness .

The title of respect caterpillar tread couple minor ’s choir with marimba and chunky breakbeats , a rave hymn for a sketch heaven .

And “ Where is my .. ” and “ aaa1 ” close in medicine box and ’ 60 malarkey , Hollywood drawing string and cricket chirp , before “ I AM 뇌로운 인간 ” wrap up the record album out with the shirr grain — wrinkle up articulation , guitar , and synths like mint of coloured cellophane — thatDJ Kozeloves so much .

The Sung ’s claim come from a puerility portrayal of the creative person draw by her young baby , accompany by the Korean - speech communication legend “ 나는 뇌로운 인간 ” ( I am a mental capacity - ful human)—a misspelling of what should have scan “ 외로운 인간 ” ( lonely man ) .

Yetsubycallsthe song a speculation on purdah , and a sure gumption of somber does hemorrhage through its intricate counterpoint .

This was but that inadvertent mention to the creative person ’s “ brainiac - ful ” nature feel pertinent .

ring by fantastic figure of her own conception , she cue me ofBlade Runner ’s J.F.

Sebastian and his genetically organize zoo of cuddly , self-assertive critter .

With an imaginativeness like hers , Yetsuby will always have someone to keep her society .